{"id":2674,"date":"2025-11-10T15:25:37","date_gmt":"2025-11-10T14:25:37","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?page_id=2674"},"modified":"2025-11-17T16:00:29","modified_gmt":"2025-11-17T15:00:29","slug":"souffle","status":"publish","type":"page","link":"https:\/\/www.esquisses.eu\/revue\/thematique\/souffle\/","title":{"rendered":"Souffle"},"content":{"rendered":"\n<p class=\"has-text-align-justify\"><em>Esquisses \u2013 en mouvement<\/em> s&rsquo;enrichit ce mois de novembre 2025 d&rsquo;une septi\u00e8me th\u00e9matique&nbsp;:&nbsp;<em>Souffle<\/em>.<\/p>\n\n\n\n<p class=\"has-text-align-justify\">D\u2019une puissance po\u00e9tique certaine, <em>Souffle<\/em> a inspir\u00e9 autant d\u2019approches cr\u00e9atrices \u2013 po\u00e8mes, sculptures, musique, feuillets d&rsquo;artiste, photographies \u2013 que d\u2019approches litt\u00e9raires \u2013 \u00e9tudes d\u2019\u00e9critures, analyses d\u2019un roman, d\u2019une pi\u00e8ce de th\u00e9\u00e2tre, d\u2019\u0153uvres po\u00e9tiques. Cette richesse de perspectives qu\u2019appelle fondamentalement notre volont\u00e9 \u00e9ditoriale tient \u00e0 la participation de tous les auteurs, musiciens et plasticiens, et particuli\u00e8rement au dialogue toujours ouvert qu\u2019ils ont entretenu avec nous, le comit\u00e9 de r\u00e9daction. Nous leur en sommes profond\u00e9ment reconnaissants. Pour preuve de l&rsquo;importance que nous accordons \u00e0 ce partage, <em>Souffle <\/em>s&rsquo;ouvre au rythme d&rsquo;un po\u00e8me dont la monstration, la pr\u00e9sence plastique, a \u00e9t\u00e9 travaill\u00e9e tel un second souffle au moment de l&rsquo;\u00e9dition de ce num\u00e9ro que nous avons le plaisir de vous pr\u00e9senter en quelques mots.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><strong><em>D&rsquo;un seul regard, le vent emporte un peu<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\"><a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1833\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1833\">\u00ab&nbsp;Sus(ouff)urer le vent&nbsp;\u00bb de Simon Marsan-Sch\u00e4fer<\/a> et nous convie d&#8217;embl\u00e9e \u00e0 la l\u00e9g\u00e8ret\u00e9, \u00e0 la spontan\u00e9it\u00e9 et \u00e0 la force de dispersion contenues dans ce th\u00e8me. <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-justify\">Dans ce sens, \u00e0 l&rsquo;\u00e9coute d&rsquo;une<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">&#8230;&#8230;&#8230;&#8230;&#8230;.<\/mark><strong><em>po\u00e9sie \u00e9parse<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-justify\">avec Rilke, Rimbaud, Hung Pin Hung et Courbet, <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1689\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1689\">\u00ab<\/a> <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1689\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1689\">La travers\u00e9e de l&rsquo;air&nbsp;\u00bb de Bernard Salignon<\/a> se d\u00e9ploie en pens\u00e9es fulgurantes, vibrant en \u00e9chos tout au long du num\u00e9ro. <\/p>\n\n\n\n<p class=\"has-text-align-justify\">Se sont ainsi esquiss\u00e9s des couples d&rsquo;articles autour de ces diff\u00e9rents appels d&rsquo;airs. Couples poreux, divisibles et recomposables, dont nous avons d\u00e9fini une trame possible :<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-3\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:66.66%\">\n<p class=\"has-text-align-justify\"><em><strong>autour de la voix<\/strong><\/em>, <\/p>\n\n\n\n<p class=\"has-text-align-justify\">avec <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2227\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2227\">une \u00e9tude de la po\u00e9sie de Charles Juliet d&rsquo;Elena Gueudet Motte<\/a>,<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C19&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"19\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p>puis les souffles de trois femmes de lettres chez <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2075\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2075\">Kaoutar Elouahabi, \u00ab&nbsp;Souffles de chair : Po\u00e9tique du corps f\u00e9minin dans l\u2019\u00e9criture contemporaine&nbsp;&nbsp;\u00bb<\/a>,<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C19&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"19\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-left\">et encore celle qui vient se faire une place entre ces deux propositions, comme venant de partout et de nulle part, la voix de <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2032\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2032\">Matteo Pittoni<\/a> dans sa recherche musicale <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2032\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2032\">\u00ab&nbsp;Respiro. Exploration sonore&nbsp;\u00bb<\/a> ;<\/p>\n<\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-justify\">tandis que m\u00eame <strong><em>autour des mots le souffle s&rsquo;engouffre<\/em><\/strong>, ce que nous propose la po\u00e9sie de <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1903\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1903\">Qiuhan Tu : \u00ab&nbsp;R\u00e9gulation&nbsp;\u00bb<\/a> ;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-right\"><strong><em>autour de la suspension<\/em><\/strong>, <\/p>\n\n\n\n<p class=\"has-text-align-justify\">\u00e0 travers les fragiles sculptures en papier de <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1761\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1761\">Virginie Le Ray Louis, \u00ab&nbsp;Les petits machins&nbsp;\u00bb<\/a>,<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C19&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"19\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-justify\">et l&rsquo;article de Marie Le Meur sur les traces d&rsquo;un po\u00e8te :  <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1718\">\u00ab<\/a>\u00a0<a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1718\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1718\">Vers \u00ab\u00a0l\u2019absolue non-pesanteur\u00a0\u00bb d\u2019Henri Michaux\u00a0\u00bb<\/a>,<\/p>\n\n\n\n<p class=\"has-text-align-left\">dont les traits<em><strong> <\/strong><\/em>sont le parcours d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">&#8230;&#8230;&#8230;&#8230;&#8230;.<\/mark><strong><em>une \u00e9criture <\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;.<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-white-color\">&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;&#8230;<\/mark><\/mark><strong><em>comme trace<\/em><\/strong><\/p>\n\n\n\n<p class=\"has-text-align-left\">cousue dans <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2033\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2033\">\u00ab&nbsp;Un langage trou\u00e9&nbsp;\u00bb par Ma\u00ebva Gardenat<\/a> ;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-left\"><strong><em>autour de la respiration<\/em><\/strong>, <\/p>\n\n\n\n<p class=\"has-text-align-justify\">avec deux articles traitant d&rsquo;une violence sociale \u00e0 l\u2019\u0153uvre mais proposant des \u00e9chappatoires, <\/p>\n\n\n\n<p class=\"has-text-align-justify\">celui d&rsquo;<a href=\"https:\/\/www.esquisses.eu\/revue\/?p=2307\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=2307\">Amanda Benmouloud, \u00ab&nbsp;Ralentir pour respirer : souffle et rythmes dans <em>Open Water <\/em>de Caleb Azumah Nelson (2021)&nbsp;\u00bb<\/a>, <\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C19&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"19\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-justify\">celui de <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1965\" data-type=\"URL\" data-id=\"https:\/\/www.esquisses.eu\/revue\/?p=1965\">Jean-Baptiste Richard &amp; Elise Lem\u00e9nager-Bertrand, \u00ab&nbsp;De l\u2019essoufflement \u00e0 la reprise de souffle : survenances des luttes humaines dans <em>Lacrima <\/em>(2024) de Caroline Guiela Nguyen&nbsp;\u00bb<\/a> ;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p>enfin, <\/p>\n\n\n\n<p class=\"has-text-align-center\"><strong><em>\u00e9chos<\/em><\/strong>,<\/p>\n\n\n\n<p class=\"has-text-align-justify\">un triptyque noir et blanc, <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1692\">\u00ab&nbsp;Le souffle porte l\u2019\u00e9nigme du ciel trou\u00e9&nbsp;\u00bb de Marie Le Meur<\/a>,<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-justify\">et un dernier morceau, <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1756\">\u00ab<\/a> <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1756\">L\u2019\u00c9cho d&rsquo;un souffle&nbsp;\u00bb<\/a>, compos\u00e9 par <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1756\">Alexandre Mora<\/a>, inspir\u00e9 par un autre po\u00e8me de <a href=\"https:\/\/www.esquisses.eu\/revue\/?p=1756\">Qiuhan Tu<\/a>, dont la partition panoramique r\u00e9pond au d\u00e9ploiement visuel du premier article.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?ssl=1\"><img data-attachment-id=\"2239\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/fond_blanc-3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc-3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-2239\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc-3.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<p class=\"has-text-align-justify\">Nous invitons le lecteur \u00e0 d\u00e9couvrir le num\u00e9ro en le t\u00e9l\u00e9chargeant :<\/p>\n\n\n\n<div class=\"wp-block-buttons is-layout-flex\">\n<div class=\"wp-block-button\"><a class=\"wp-block-button__link wp-element-button\" href=\"https:\/\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/11\/SOUFFLE_Revue_Esquisses_No7_.pdf\">Souffle, le PDF<\/a><\/div>\n<\/div>\n\n\n\n<p class=\"has-text-align-justify\">Les propositions audio qui font la dimension sonore exceptionnelle de cette th\u00e9matique y seront accessibles par des QR codes.<\/p>\n\n\n\n<p>Bonne \u00e9coute, bonne lecture. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Esquisses \u2013 en mouvement s&rsquo;enrichit ce mois de novembre 2025 d&rsquo;une septi\u00e8me th\u00e9matique&nbsp;:&nbsp;Souffle. D\u2019une puissance po\u00e9tique certaine, Souffle a inspir\u00e9 autant d\u2019approches cr\u00e9atrices \u2013 po\u00e8mes, sculptures, musique, feuillets d&rsquo;artiste, photographies \u2013 que d\u2019approches litt\u00e9raires \u2013 \u00e9tudes d\u2019\u00e9critures, analyses d\u2019un roman, d\u2019une pi\u00e8ce de th\u00e9\u00e2tre, d\u2019\u0153uvres po\u00e9tiques. Cette richesse de perspectives qu\u2019appelle fondamentalement notre volont\u00e9 \u00e9ditoriale [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"parent":28,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"jetpack_post_was_ever_published":false},"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P8FFEZ-H8","jetpack-related-posts":[{"id":28,"url":"https:\/\/www.esquisses.eu\/revue\/thematique\/","url_meta":{"origin":2674,"position":0},"title":"Th\u00e9matiques","author":"Administrateur","date":"10 juin 2015","format":false,"excerpt":"La page Th\u00e9matiques de cette revue pr\u00e9sente une multiplicit\u00e9 de textes, choisis pour cr\u00e9er un croisement sur un m\u00eame th\u00e8me, un miroir kal\u00e9idoscopique comme autant de visions singuli\u00e8res afin de d\u00e9ployer l'esquisse d'un cheminement transdisciplinaire. Souffle, la septi\u00e8me th\u00e9matique, a inspir\u00e9 musiciens, plasticiens, po\u00e8tes et amis des lettres. Novembre 2025.\u2026","rel":"","context":"Avec 1 commentaire","block_context":{"text":"Avec 1 commentaire","link":"https:\/\/www.esquisses.eu\/revue\/thematique\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":4,"url":"https:\/\/www.esquisses.eu\/revue\/presentation\/","url_meta":{"origin":2674,"position":1},"title":"Pr\u00e9sentation","author":"Administrateur","date":"10 juin 2015","format":false,"excerpt":"Esquisses, en mouvement Manifeste Une revue en ligne et quelques fois en papierUn espace \u00e0 la crois\u00e9e des chemins inexplor\u00e9s, in(d\u00e9)finis,o\u00f9 viennent s\u2019\u00e9baucher des textes, des \u0153uvres plastiques, musicales,cin\u00e9matographiques, sous toutes leurs formes, dans un geste cr\u00e9atifessentiel, dans le flux qui l\u2019anime.Un espace en miroir, inachev\u00e9, ouvert,o\u00f9 viennent se refl\u00e9ter,\u2026","rel":"","context":"Avec 2 commentaires","block_context":{"text":"Avec 2 commentaires","link":"https:\/\/www.esquisses.eu\/revue\/presentation\/#comments"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":965,"url":"https:\/\/www.esquisses.eu\/revue\/thematique\/nuit\/","url_meta":{"origin":2674,"position":2},"title":"Nuit","author":"Administrateur","date":"6 septembre 2023","format":false,"excerpt":"\u00c0 l'aube d'une nouvelle \u00e9dition de la revue Esquisses, quelques mots de Bernard Salignon pour ouvrir la th\u00e9matique Nuit avant de d\u00e9couvrir les textes et les cr\u00e9ations. La nuit sort d\u2019un \u00e9clair Si le jour nous met dans la finitude concr\u00e8te du monde et des objets que nous voyons, si\u2026","rel":"","context":"Article similaire","block_context":{"text":"Article similaire","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1485,"url":"https:\/\/www.esquisses.eu\/revue\/thematique\/meta-%ce%bc%ce%b5%cf%84%ce%ac\/","url_meta":{"origin":2674,"position":3},"title":"Meta, \u03bc\u03b5\u03c4\u03ac","author":"Administrateur","date":"30 septembre 2024","format":false,"excerpt":"Au-del\u00e0, apr\u00e8s Meta, \u03bc\u03b5\u03c4\u03ac est la sixi\u00e8me th\u00e9matique de la revue, pens\u00e9e comme un renouveau \u00e0 l'heure o\u00f9 est retrac\u00e9e une ligne \u00e9ditoriale se voulant toujours plus proche du mouvement en cr\u00e9ation de la pens\u00e9e et revendiquant la pluralit\u00e9 des approches. Si le terme est aujourd'hui \u00e0 la mode, notamment\u2026","rel":"","context":"Article similaire","block_context":{"text":"Article similaire","link":""},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":121,"url":"https:\/\/www.esquisses.eu\/revue\/thematique\/presences\/","url_meta":{"origin":2674,"position":4},"title":"Pr\u00e9sences","author":"Administrateur","date":"4 f\u00e9vrier 2016","format":false,"excerpt":"Notre revue en ligne, donne \u00e0 travers les textes d\u2019auteurs (chercheurs, universitaires et analystes) une id\u00e9e en mouvement de la pr\u00e9sence comme travers\u00e9e et envoi d\u2019\u00e9criture h\u00e9t\u00e9rog\u00e8ne, qui chacune ouvre des br\u00e8ches, cr\u00e9e des singularit\u00e9s, donne \u00e0 penser. Et si le pr\u00e9sent se d\u00e9cline entre ce qui est et ce\u2026","rel":"","context":"Article similaire","block_context":{"text":"Article similaire","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":223,"url":"https:\/\/www.esquisses.eu\/revue\/thematique\/frontieres-et-limites\/","url_meta":{"origin":2674,"position":5},"title":"Fronti\u00e8res et Limites","author":"Administrateur","date":"28 avril 2017","format":false,"excerpt":"Limites et Fronti\u00e8res En les lisant, en les pronon\u00e7ant, ces deux mots laissent aussit\u00f4t \u00e9merger une vision d\u2019emp\u00eachement, d\u2019interdit, de s\u00e9paration et, par ailleurs, ils amorcent d\u00e9j\u00e0 un mouvement contraire et compl\u00e9mentaire, celui de l\u2019incitation, de l\u2019autorisation, d\u2019une transition, du lien entre le moi et l\u2019autre. Ainsi, ce va-et-vient \u00e9claire\u2026","rel":"","context":"Article similaire","block_context":{"text":"Article similaire","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/pages\/2674"}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=2674"}],"version-history":[{"count":13,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/pages\/2674\/revisions"}],"predecessor-version":[{"id":2837,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/pages\/2674\/revisions\/2837"}],"up":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/pages\/28"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=2674"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}