{"id":1756,"date":"2025-11-10T08:24:52","date_gmt":"2025-11-10T07:24:52","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?p=1756"},"modified":"2025-11-17T16:14:01","modified_gmt":"2025-11-17T15:14:01","slug":"lecho-dun-souffle-alexandre-mora-qiuhan-tu","status":"publish","type":"post","link":"https:\/\/www.esquisses.eu\/revue\/lecho-dun-souffle-alexandre-mora-qiuhan-tu\/","title":{"rendered":"L\u2019\u00c9cho d’un souffle \u2014 Alexandre Mora & Qiuhan Tu"},"content":{"rendered":"\n

A l’occasion de ce num\u00e9ro, Alexandre Mora a mis en musique le po\u00e8me \u00ab\u00a0L\u2019\u00c9cho d’un souffle\u00a0\u00bb de Qiuhan Tu. Cette collaboration est d\u00e9clin\u00e9e \u00e0 rebours du geste cr\u00e9atif, en trois temps, comme autant d’approches du souffle. D’abord le morceau dans sa version la plus brute, puis la partition dont la lecture est une exp\u00e9rimentation du rythme \u00e0 part enti\u00e8re, enfin le po\u00e8me, dont le souffle, son essence, prend sa source dans sa version originale chinoise \u00e0 d\u00e9couvrir \u00e0 la toute fin de l’article.<\/mark><\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

L\u2019\u00c9cho d’un souffle<\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Premier temps : le ch\u0153ur baroque<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Deuxi\u00e8me temps : la partition<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Troisi\u00e8me temps : le po\u00e8me<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

L\u2019\u00c9cho d’un souffle<\/h3>\n\n\n\n

Qui a ferm\u00e9 portes et fen\u00eatres<\/p>\n\n\n\n

Laissant le c\u0153ur \u00e9touff\u00e9<\/p>\n\n\n\n

Comme un espace ferm\u00e9<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Qui a tu\u00e9 le vice par la vertu<\/p>\n\n\n\n

Pour ensuite r\u00e9aliser<\/p>\n\n\n\n

Que la gorge \u00e9tait violemment serr\u00e9e<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Respirer et pleurer<\/p>\n\n\n\n

Ne peuvent pas se faire en m\u00eame temps<\/p>\n\n\n\n

Et toi, tu tends la main vers le second<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Des fragments, comme des ombres<\/p>\n\n\n\n

Couvrent la surface du corps<\/p>\n\n\n\n

Dissimulent chaque centim\u00e8tre de secrets<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Ne te d\u00e9bats plus, ma ch\u00e9rie<\/p>\n\n\n\n

Les soucis, le temps, la vie<\/p>\n\n\n\n

S\u2019\u00e9couleront comme de l\u2019eau<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Tu le crois ?<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u547c\u5438\u7684\u56de\u8072<\/h3>\n\n\n\n

\u662f\u8ab0\u7528\u5584\u6bba\u6b7b\u4e86\u60e1<\/p>\n\n\n\n

\u624d\u767c\u89ba\u54bd\u5589\u88ab\u7dca\u7dca\u627c\u4f4f<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u547c\u5438\u548c\u6d41\u6dda<\/p>\n\n\n\n

\u4e0d\u53ef\u517c\u5f97<\/p>\n\n\n\n

\u800c\u4f60\u628a\u624b\u4f38\u5411\u5f8c\u8005<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u7121\u6578\u500b\u7247\u6bb5 \u5982\u9670\u5f71<\/p>\n\n\n\n

\u8986\u84cb\u8eab\u9ad4\u7684\u8868\u5c64<\/p>\n\n\n\n

\u85cf\u8457\u79d8\u5bc6\u7684\u6bcf\u4e00\u5bf8<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u4e0d\u8981\u6399\u624e\u4e86 \u89aa\u611b\u7684<\/p>\n\n\n\n

\u7169\u60f1 \u6642\u9593 \u751f\u547d<\/p>\n\n\n\n

\u90fd\u6703\u50cf\u6c34\u4e00\u6a23\u5730\u6d41\u904e\u53bb<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

\u59b3\u76f8\u4fe1\u55ce<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Note sur les auteurs<\/h2>\n\n\n\n

Alexandre Mora est doctorant en langue et litt\u00e9ratures fran\u00e7aises du XVIIIe<\/sup> si\u00e8cle en cotutelle entre l\u2019Universidad del Pa\u00eds Vasco (UPV\/EHU) \u2013 Espagne et l\u2019University of St Andrews \u2013 Royaume-Uni. Ses recherches portent sur La Violence dans la fiction pornographique de la seconde moiti\u00e9 du XVIII<\/em>e<\/em><\/sup> si\u00e8cle (1741 \u2013 1800)<\/em> et le Marquis de Sade en particulier. Il est \u00e9galement violoniste baroque et chef d\u2019orchestre et de ch\u0153ur de plusieurs ensembles instrumentaux et vocaux.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Qiuhan Tu \u00e9crit des po\u00e8mes en chinois et en fran\u00e7ais, explorant la richesse du bilinguisme dans le cadre de ses recherches universitaires au sein du Master Litt\u00e9rature et Cr\u00e9ation \u00e0 l’Universit\u00e9 Clermont Auvergne. A c\u00f4t\u00e9 de sa collaboration musicale avec Alexandre Mora, la th\u00e9matique du souffle lui a inspir\u00e9 le po\u00e8me \u00ab\u00a0R\u00e9gulation\u00a0\u00bb<\/a> que nous invitons le lecteur \u00e0 d\u00e9couvrir.<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

A l’occasion de ce num\u00e9ro, Alexandre Mora a mis en musique le po\u00e8me \u00ab\u00a0L\u2019\u00c9cho d’un souffle\u00a0\u00bb de Qiuhan Tu. Cette collaboration est d\u00e9clin\u00e9e \u00e0 rebours du geste cr\u00e9atif, en trois temps, comme autant d’approches du souffle. D’abord le morceau dans sa version la plus brute, puis la partition dont la lecture est une exp\u00e9rimentation du […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[230],"tags":[237,243,242,241,238,239,240,31,151,47],"class_list":["post-1756","post","type-post","status-publish","format-standard","hentry","category-souffle","tag-bilinguisme","tag-choeur","tag-chorale","tag-composition","tag-emotion","tag-fragment","tag-musique","tag-poesie","tag-sensation","tag-voix"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8FFEZ-sk","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=1756"}],"version-history":[{"count":55,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1756\/revisions"}],"predecessor-version":[{"id":2793,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1756\/revisions\/2793"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=1756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/categories?post=1756"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/tags?post=1756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}