{"id":1833,"date":"2025-11-10T07:17:16","date_gmt":"2025-11-10T06:17:16","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?p=1833"},"modified":"2025-11-17T10:05:50","modified_gmt":"2025-11-17T09:05:50","slug":"ce-que-nous-dit-le-souffle-simon-marsan-schafern","status":"publish","type":"post","link":"https:\/\/www.esquisses.eu\/revue\/ce-que-nous-dit-le-souffle-simon-marsan-schafern\/","title":{"rendered":"Sus(ouff)urer le vent \u2014 Simon Marsan-Sch\u00e4fer"},"content":{"rendered":"\n<p class=\"has-text-align-justify wp-block-paragraph\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Un po\u00e8me, d&rsquo;un souffle, glisse sur la page, se propage. Simon Marsan couche des mots inspir\u00e9s, invite le vent \u00e0 rejoindre le sol. Rythme et air rassembl\u00e9s, cadenc\u00e9s, espac\u00e9s, accord\u00e9s. Des lettres noires, des espaces blancs, l&rsquo;\u00e9criture touche des airs m\u00e9lodiques<em>. Sus(ouff)urer le vent<\/em>, nous transporte vers la mat\u00e9rialit\u00e9 du langage, \u00e0 son essence musicale &#8211; au son des mots. <\/mark><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"1000\" height=\"707\" data-attachment-id=\"2111\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/ce-que-nous-dit-le-souffle-simon-marsan-schafern\/attachment\/3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?fit=2245%2C1587&amp;ssl=1\" data-orig-size=\"2245,1587\" data-comments-opened=\"0\" data-image-title=\"3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?fit=1000%2C707&amp;ssl=1\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1000%2C707&#038;ssl=1\" alt=\"\" class=\"wp-image-2111\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1024%2C724&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=768%2C543&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1536%2C1086&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=2048%2C1448&amp;ssl=1 2048w\" sizes=\"auto, (max-width: 1000px) 100vw, 1000px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Note sur l&rsquo;auteur<em><strong> <\/strong><\/em><\/h2>\n\n\n\n<p class=\"has-text-align-justify wp-block-paragraph\">Musicien improvisateur et compositeur, Simon Marsan-Sch\u00e4fer s\u2019int\u00e9resse aussi \u00e0 l\u2019\u00e9criture de po\u00e8mes, r\u00e9fl\u00e9chit \u00e0 d\u2019autres interactions possibles, concomitantes, entre danses, textes, arts picturaux et musiques. Partant de l\u2019id\u00e9e que le paradigme improvisation-composition peut amener \u00e0 ce que ces diff\u00e9rentes pratiques artistiques se rencontrent dans une d\u00e9marche mutuelle de socialisation, il a men\u00e9 une th\u00e8se de recherche-cr\u00e9ation sur le sujet \u00e0 l\u2019Universit\u00e9 Paris 8, sous la direction de Giordano Ferrari.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un po\u00e8me, d&rsquo;un souffle, glisse sur la page, se propage. Simon Marsan couche des mots inspir\u00e9s, invite le vent \u00e0 rejoindre le sol. Rythme et air rassembl\u00e9s, cadenc\u00e9s, espac\u00e9s, accord\u00e9s. Des lettres noires, des espaces blancs, l&rsquo;\u00e9criture touche des airs m\u00e9lodiques. Sus(ouff)urer le vent, nous transporte vers la mat\u00e9rialit\u00e9 du langage, \u00e0 son essence musicale [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[230],"tags":[154,117,153,55,86,236,235,234,98,31],"class_list":["post-1833","post","type-post","status-publish","format-standard","hentry","category-souffle","tag-acte-createur","tag-approche-sensible","tag-gestualite","tag-image","tag-mouvement","tag-nature","tag-passage","tag-phonetique","tag-poeme","tag-poesie"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8FFEZ-tz","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=1833"}],"version-history":[{"count":57,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833\/revisions"}],"predecessor-version":[{"id":2828,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833\/revisions\/2828"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=1833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/categories?post=1833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/tags?post=1833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}