{"id":1833,"date":"2025-11-10T07:17:16","date_gmt":"2025-11-10T06:17:16","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?p=1833"},"modified":"2025-11-17T10:05:50","modified_gmt":"2025-11-17T09:05:50","slug":"ce-que-nous-dit-le-souffle-simon-marsan-schafern","status":"publish","type":"post","link":"https:\/\/www.esquisses.eu\/revue\/ce-que-nous-dit-le-souffle-simon-marsan-schafern\/","title":{"rendered":"Sus(ouff)urer le vent \u2014 Simon Marsan-Sch\u00e4fer"},"content":{"rendered":"\n<p class=\"has-text-align-justify\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Un po\u00e8me, d&rsquo;un souffle, glisse sur la page, se propage. Simon Marsan couche des mots inspir\u00e9s, invite le vent \u00e0 rejoindre le sol. Rythme et air rassembl\u00e9s, cadenc\u00e9s, espac\u00e9s, accord\u00e9s. Des lettres noires, des espaces blancs, l&rsquo;\u00e9criture touche des airs m\u00e9lodiques<em>. Sus(ouff)urer le vent<\/em>, nous transporte vers la mat\u00e9rialit\u00e9 du langage, \u00e0 son essence musicale &#8211; au son des mots. <\/mark><\/p>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-2\">\n<div class=\"wp-block-column is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-image size-large\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?ssl=1\"><img data-attachment-id=\"2111\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/ce-que-nous-dit-le-souffle-simon-marsan-schafern\/attachment\/3\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?fit=2245%2C1587&amp;ssl=1\" data-orig-size=\"2245,1587\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"3\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?fit=300%2C212&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?fit=1000%2C707&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" width=\"1000\" height=\"707\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1000%2C707&#038;ssl=1\" alt=\"\" class=\"wp-image-2111\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1024%2C724&amp;ssl=1 1024w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=300%2C212&amp;ssl=1 300w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=768%2C543&amp;ssl=1 768w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=1536%2C1086&amp;ssl=1 1536w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/09\/3.png?resize=2048%2C1448&amp;ssl=1 2048w\" sizes=\"(max-width: 1000px) 100vw, 1000px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Note sur l&rsquo;auteur<em><strong> <\/strong><\/em><\/h2>\n\n\n\n<p class=\"has-text-align-justify\">Musicien improvisateur et compositeur, Simon Marsan-Sch\u00e4fer s\u2019int\u00e9resse aussi \u00e0 l\u2019\u00e9criture de po\u00e8mes, r\u00e9fl\u00e9chit \u00e0 d\u2019autres interactions possibles, concomitantes, entre danses, textes, arts picturaux et musiques. Partant de l\u2019id\u00e9e que le paradigme improvisation-composition peut amener \u00e0 ce que ces diff\u00e9rentes pratiques artistiques se rencontrent dans une d\u00e9marche mutuelle de socialisation, il a men\u00e9 une th\u00e8se de recherche-cr\u00e9ation sur le sujet \u00e0 l\u2019Universit\u00e9 Paris 8, sous la direction de Giordano Ferrari.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Un po\u00e8me, d&rsquo;un souffle, glisse sur la page, se propage. Simon Marsan couche des mots inspir\u00e9s, invite le vent \u00e0 rejoindre le sol. Rythme et air rassembl\u00e9s, cadenc\u00e9s, espac\u00e9s, accord\u00e9s. Des lettres noires, des espaces blancs, l&rsquo;\u00e9criture touche des airs m\u00e9lodiques. Sus(ouff)urer le vent, nous transporte vers la mat\u00e9rialit\u00e9 du langage, \u00e0 son essence musicale [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[230],"tags":[154,117,153,55,86,236,235,234,98,31],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8FFEZ-tz","jetpack-related-posts":[{"id":1689,"url":"https:\/\/www.esquisses.eu\/revue\/la-traversee-de-lair-bernard-salignon\/","url_meta":{"origin":1833,"position":0},"title":"La travers\u00e9e de l&rsquo;air \u2014 Bernard Salignon","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Pour parler du souffle en po\u00e9sie et en peinture, le propos de Bernard Salignon donne l'illusion d'un ensemble d'aphorismes, parce que sans commentaire ni transition. En disant l'essentiel, le texte est justement \u00e9pars, le souffle anime de blancs la voix qui troue. C'est l\u00e0 que subsiste la parole vivante. La\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2227,"url":"https:\/\/www.esquisses.eu\/revue\/charles-juliet-a-voix-basse-rythme-et-souffle-en-poesie-elena-gueudet-motte\/","url_meta":{"origin":1833,"position":1},"title":"Charles Juliet \u00e0 voix basse, rythme et souffle en po\u00e9sie \u2014 Elena Gueudet Motte","author":"Administrateur","date":"9 novembre 2025","format":false,"excerpt":"\u00c9couter un po\u00e8te dire ses po\u00e8mes, c'est le pr\u00e9cieux cadeau que nous offre Elena Gueudet Motte dans cet article qui questionne les pouvoirs de l'oralit\u00e9 du po\u00e8me, depuis la richesse m\u00e9taphorique du souffle jusqu'\u00e0 sa trace rendue visible. En effet, l'auteur propose une analyse des textes au plus pr\u00e8s de\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1756,"url":"https:\/\/www.esquisses.eu\/revue\/lecho-dun-souffle-alexandre-mora-qiuhan-tu\/","url_meta":{"origin":1833,"position":2},"title":"L\u2019\u00c9cho d&rsquo;un souffle \u2014 Alexandre Mora &#038; Qiuhan Tu","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"A l'occasion de ce num\u00e9ro, Alexandre Mora a mis en musique le po\u00e8me \"L\u2019\u00c9cho d'un souffle\" de Qiuhan Tu. Cette collaboration est d\u00e9clin\u00e9e \u00e0 rebours du geste cr\u00e9atif, en trois temps, comme autant d'approches du souffle. D'abord le morceau dans sa version la plus brute, puis la partition dont la\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1903,"url":"https:\/\/www.esquisses.eu\/revue\/regulation-qiuhan-tu\/","url_meta":{"origin":1833,"position":3},"title":"R\u00e9gulation \u2014 Qiuhan Tu","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Qiuhan Tu propose un po\u00e8me tr\u00e8s dynamique et visuel, quelque chose de croqu\u00e9 sur le vif, une fulgurance urbaine loin des clich\u00e9s du souffle. \u8abf\u7bc0 \u5979\u8b93\u6211\u628a\u7a7a\u8abf\u6253\u5230\u4e8c\u5341\u516d\u5ea6 \u4e8c\u5341\u4e94\u5ea6 \u4e8c\u5341\u56db\u5ea6 \u4e8c\u5341\u4e09\u5ea6 \u7a7a\u6c23\u4e2d\u67d0\u7a2e\u5f62\u540c\u88fd\u51b7\u5291\u7684\u7269\u8cea\u56db\u6563 \u60c5\u6b32\u5728\u5589\u53e3\u71c3\u71d2 \u4e8c\u5341\u4e8c\u5ea6 \u4e8c\u5341\u4e00\u5ea6\u2026\u2026 \u7a97\u5916\u6709\u8eca\u99db\u904e \u8f5f\u9686\u8072\u5f80\u5fc3\u81df\u958b\u53bb \u71c8\u5854\u4e4b\u4e0b \u6211\u807d\u898b\u98a8\u5728\u547c\u5438 \u6df1\u85cd\u8272\u7684\u9b5a\u6e38\u5f0b\u8457\u6f5b\u5165\u6d77\u5e95 R\u00e9gulation Elle me demande de r\u00e9gler la climatisation \u00e0 vingt-six degr\u00e9s Vingt-cinq,\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1718,"url":"https:\/\/www.esquisses.eu\/revue\/vers-labsolue-non-pesanteur-dhenri-michaux-marie-le-meur\/","url_meta":{"origin":1833,"position":4},"title":"Vers \u00ab\u00a0l&rsquo;absolue non-pesanteur\u00a0\u00bb d&rsquo;Henri Michaux \u2014 Marie Le Meur","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Ce n'est pas l'enveloppe ext\u00e9rieure qui est r\u00e9elle, mais l'essence des choses.Constantin Brancusi Le souffle s\u2019engouffre au-del\u00e0 des corps, d\u2019un trait haut et glac\u00e9, l\u2019entaille du ciel \u2013 vivifiante, est l\u2019\u00e9criture invent\u00e9e. Vid\u00e9 de ses peaux mortes, r\u00e9side le r\u00e9siduel. La plume, l\u2019air, le souffle, d'un trait \u2013 en mouvement.\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":758,"url":"https:\/\/www.esquisses.eu\/revue\/effacer-le-poeme-afin-de-vraiment-lecrire-mylene-duc\/","url_meta":{"origin":1833,"position":5},"title":"Effacer le po\u00e8me afin de vraiment l\u2019\u00e9crire \u2014 Myl\u00e8ne Duc","author":"Administrateur","date":"25 avril 2020","format":false,"excerpt":"L\u2019esquiss\u00e9, l\u2019ind\u00e9cis int\u00e9ressent naturellement le peintre. Je travaille personnellement sur de grandes peintures destin\u00e9es \u00e0 s\u2019effacer avec le temps. Je ne fixe pas les pigments et mes toiles tendent \u00e0 disparaitre rapidement pan par pan. En elle-m\u00eame, toute peinture est vou\u00e9e \u00e0 l\u2019effacement. Et c\u2019est ce qui explique sans doute\u2026","rel":"","context":"Dans &quot;L'esquisse et l'Ind\u00e9cis&quot;","block_context":{"text":"L'esquisse et l'Ind\u00e9cis","link":"https:\/\/www.esquisses.eu\/revue\/category\/lesquisse-et-lindecis\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833"}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=1833"}],"version-history":[{"count":57,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833\/revisions"}],"predecessor-version":[{"id":2828,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1833\/revisions\/2828"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=1833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/categories?post=1833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/tags?post=1833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}