{"id":1903,"date":"2025-11-10T08:21:14","date_gmt":"2025-11-10T07:21:14","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?p=1903"},"modified":"2025-11-10T08:21:14","modified_gmt":"2025-11-10T07:21:14","slug":"regulation-qiuhan-tu","status":"publish","type":"post","link":"https:\/\/www.esquisses.eu\/revue\/regulation-qiuhan-tu\/","title":{"rendered":"R\u00e9gulation \u2014 Qiuhan Tu"},"content":{"rendered":"\n<p class=\"has-text-align-justify\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-cyan-bluish-gray-color\">Qiuhan Tu propose un po\u00e8me tr\u00e8s dynamique et visuel, quelque chose de croqu\u00e9 sur le vif, une fulgurance urbaine loin des clich\u00e9s du souffle.<\/mark><\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?ssl=1\"><img data-attachment-id=\"1029\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/la-photographie-a-lepreuve-de-la-nuit-fps-60-de-liz-deschenes-helene-kuchmann\/fond_blanc\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-1029\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-right\">\u8abf\u7bc0<\/h2>\n\n\n\n<p class=\"has-text-align-right\">\u5979\u8b93\u6211\u628a\u7a7a\u8abf\u6253\u5230\u4e8c\u5341\u516d\u5ea6<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u4e8c\u5341\u4e94\u5ea6 \u4e8c\u5341\u56db\u5ea6 \u4e8c\u5341\u4e09\u5ea6<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u7a7a\u6c23\u4e2d\u67d0\u7a2e\u5f62\u540c\u88fd\u51b7\u5291\u7684\u7269\u8cea\u56db\u6563<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u60c5\u6b32\u5728\u5589\u53e3\u71c3\u71d2<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u4e8c\u5341\u4e8c\u5ea6 \u4e8c\u5341\u4e00\u5ea6\u2026\u2026<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u7a97\u5916\u6709\u8eca\u99db\u904e \u8f5f\u9686\u8072\u5f80\u5fc3\u81df\u958b\u53bb<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u71c8\u5854\u4e4b\u4e0b \u6211\u807d\u898b\u98a8\u5728\u547c\u5438<\/p>\n\n\n\n<p class=\"has-text-align-right\">\u6df1\u85cd\u8272\u7684\u9b5a\u6e38\u5f0b\u8457\u6f5b\u5165\u6d77\u5e95<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?ssl=1\"><img data-attachment-id=\"1029\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/la-photographie-a-lepreuve-de-la-nuit-fps-60-de-liz-deschenes-helene-kuchmann\/fond_blanc\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=89%2C54&#038;ssl=1\" alt=\"\" class=\"wp-image-1029\" width=\"89\" height=\"54\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 89px) 100vw, 89px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">R\u00e9gulation<\/h2>\n\n\n\n<p>Elle me demande de r\u00e9gler la climatisation \u00e0 vingt-six degr\u00e9s<\/p>\n\n\n\n<p>Vingt-cinq, vingt-quatre, vingt-trois<\/p>\n\n\n\n<p>Une substance semblable \u00e0 du r\u00e9frig\u00e9rant se r\u00e9pand dans l\u2019air<\/p>\n\n\n\n<p>Le d\u00e9sir br\u00fble au creux de la gorge<\/p>\n\n\n\n<p>Vingt-deux, vingt et un&#8230;<\/p>\n\n\n\n<p>Une voiture passe par la fen\u00eatre<\/p>\n\n\n\n<p>Son grondement r\u00e9sonne jusqu\u2019au c\u0153ur<\/p>\n\n\n\n<p>Sous le phare, c\u2019est le vent qui respire<\/p>\n\n\n\n<p>Des poissons bleu marine plongent au fond de la mer<\/p>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><a href=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?ssl=1\"><img data-attachment-id=\"1029\" data-permalink=\"https:\/\/www.esquisses.eu\/revue\/la-photographie-a-lepreuve-de-la-nuit-fps-60-de-liz-deschenes-helene-kuchmann\/fond_blanc\/\" data-orig-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" data-orig-size=\"750,450\" data-comments-opened=\"0\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Fond_blanc\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=300%2C180&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?fit=750%2C450&amp;ssl=1\" decoding=\"async\" loading=\"lazy\" src=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=33%2C20&#038;ssl=1\" alt=\"\" class=\"wp-image-1029\" width=\"33\" height=\"20\" srcset=\"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?w=750&amp;ssl=1 750w, https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=300%2C180&amp;ssl=1 300w\" sizes=\"(max-width: 33px) 100vw, 33px\" data-recalc-dims=\"1\" \/><\/a><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">Note sur l&rsquo;auteur<\/h2>\n\n\n\n<p class=\"has-text-align-justify\">\u00c9tudiante chinoise en Master 1 Litt\u00e9rature et Cr\u00e9ation \u00e0 l\u2019Universit\u00e9 Clermont Auvergne, Qiuhan Tu d\u00e9veloppe une pratique po\u00e9tique bilingue, en chinois et en fran\u00e7ais. Elle a commenc\u00e9 \u00e0 \u00e9crire en chinois d\u00e8s son parcours universitaire en Chine, puis elle a poursuivi son \u00e9criture en fran\u00e7ais apr\u00e8s qu\u2019elle est arriv\u00e9e en France. Sa cr\u00e9ation r\u00e9side dans la po\u00e9sie franco-chinoise, les possibilit\u00e9s de dialogue entre les deux langues et cultures \u00e0 travers la po\u00e9sie. Son style se manifeste \u00e0 travers des images abstraites et des phrases fragment\u00e9es, par lesquelles elle exprime des \u00e9motions sensibles et intimes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Qiuhan Tu propose un po\u00e8me tr\u00e8s dynamique et visuel, quelque chose de croqu\u00e9 sur le vif, une fulgurance urbaine loin des clich\u00e9s du souffle. \u8abf\u7bc0 \u5979\u8b93\u6211\u628a\u7a7a\u8abf\u6253\u5230\u4e8c\u5341\u516d\u5ea6 \u4e8c\u5341\u4e94\u5ea6 \u4e8c\u5341\u56db\u5ea6 \u4e8c\u5341\u4e09\u5ea6 \u7a7a\u6c23\u4e2d\u67d0\u7a2e\u5f62\u540c\u88fd\u51b7\u5291\u7684\u7269\u8cea\u56db\u6563 \u60c5\u6b32\u5728\u5589\u53e3\u71c3\u71d2 \u4e8c\u5341\u4e8c\u5ea6 \u4e8c\u5341\u4e00\u5ea6\u2026\u2026 \u7a97\u5916\u6709\u8eca\u99db\u904e \u8f5f\u9686\u8072\u5f80\u5fc3\u81df\u958b\u53bb \u71c8\u5854\u4e4b\u4e0b \u6211\u807d\u898b\u98a8\u5728\u547c\u5438 \u6df1\u85cd\u8272\u7684\u9b5a\u6e38\u5f0b\u8457\u6f5b\u5165\u6d77\u5e95 R\u00e9gulation Elle me demande de r\u00e9gler la climatisation \u00e0 vingt-six degr\u00e9s Vingt-cinq, vingt-quatre, vingt-trois Une substance semblable [&hellip;]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","jetpack_publicize_message":"","jetpack_is_tweetstorm":false,"jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false}}},"categories":[230],"tags":[237,238,239,31,151],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8FFEZ-uH","jetpack-related-posts":[{"id":1756,"url":"https:\/\/www.esquisses.eu\/revue\/lecho-dun-souffle-alexandre-mora-qiuhan-tu\/","url_meta":{"origin":1903,"position":0},"title":"L\u2019\u00c9cho d&rsquo;un souffle \u2014 Alexandre Mora &#038; Qiuhan Tu","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"A l'occasion de ce num\u00e9ro, Alexandre Mora a mis en musique le po\u00e8me \"L\u2019\u00c9cho d'un souffle\" de Qiuhan Tu. Cette collaboration est d\u00e9clin\u00e9e \u00e0 rebours du geste cr\u00e9atif, en trois temps, comme autant d'approches du souffle. D'abord le morceau dans sa version la plus brute, puis la partition dont la\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1965,"url":"https:\/\/www.esquisses.eu\/revue\/de-lessoufflement-a-la-reprise-de-souffle-dans-lacrima-2024-de-caroline-guiela-nguyen-elise-lemenager-bertrand-jean-baptiste-richard\/","url_meta":{"origin":1903,"position":1},"title":"De l\u2019essoufflement \u00e0 la reprise de souffle\u00a0dans Lacrima (2024) de Caroline Guiela Nguyen \u2014 \u00c9lise Lem\u00e9nager-Bertrand &#038; Jean-Baptiste Richard","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Dans ce qui va suivre, il est question de souffle, d\u2019essoufflement, d\u2019asphyxie, de reprise de souffle. Du \u00ab\u00a0second souffle\u00a0\u00bb au th\u00e9\u00e2tre. Il est question de mise en sc\u00e8ne, de jeu, d\u2019enjeux sociaux, professionnels, humains. Jusqu\u2019au final extr\u00eame de saturation mentale et physique traduit concr\u00e8tement par la sc\u00e9nographie, les \u00e9clairages, l\u2019absence\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2075,"url":"https:\/\/www.esquisses.eu\/revue\/souffles-de-chair-poetique-du-corps-feminin-dans-lecriture-contemporaine-kaoutar-elouahabi\/","url_meta":{"origin":1903,"position":2},"title":"Souffles de chair : Po\u00e9tique du corps f\u00e9minin dans l\u2019\u00e9criture contemporaine &#8212; Kaoutar Elouahabi","author":"Administrateur","date":"21 octobre 2025","format":false,"excerpt":"Kaoutar Elouahabi nous offre une travers\u00e9e extr\u00eamement sensible des \u00e9critures po\u00e9tiques de trois femmes : Annie Ernaux, H\u00e9l\u00e8ne Cixous et Le\u00efla Slimani afin d'y d\u00e9c\u00e9ler ce qu'il y a de plus charnel dans la trace offerte par le souffle. Explorant rythme et cadence, quand il est retenu ou on contraire\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2025\/10\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1679,"url":"https:\/\/www.esquisses.eu\/revue\/souffle-appel-a-contributions\/","url_meta":{"origin":1903,"position":3},"title":"Souffle : appel \u00e0 contributions","author":"Administrateur","date":"21 f\u00e9vrier 2025","format":false,"excerpt":"Souffle est la septi\u00e8me et nouvelle th\u00e9matique de la revue. Nous vous invitons \u00e0 nous faire part de votre proposition : texte, image(s), ou encore bande sonore \u2013 cette th\u00e9matique se pr\u00eatant volontiers \u00e0 l\u2019oralit\u00e9 \u2013 ou tout autre m\u00e9dium dans la mesure o\u00f9 votre cr\u00e9ation sera publi\u00e9e en ligne.\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1689,"url":"https:\/\/www.esquisses.eu\/revue\/la-traversee-de-lair-bernard-salignon\/","url_meta":{"origin":1903,"position":4},"title":"La travers\u00e9e de l&rsquo;air \u2014 Bernard Salignon","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Pour parler du souffle en po\u00e9sie et en peinture, le propos de Bernard Salignon donne l'illusion d'un ensemble d'aphorismes, parce que sans commentaire ni transition. En disant l'essentiel, le texte est justement \u00e9pars, le souffle anime de blancs la voix qui troue. C'est l\u00e0 que subsiste la parole vivante. La\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.esquisses.eu\/revue\/wp-content\/uploads\/2023\/08\/Fond_blanc.png?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2032,"url":"https:\/\/www.esquisses.eu\/revue\/respiro-exploration-sonore-matteo-pittoni\/","url_meta":{"origin":1903,"position":5},"title":"Respiro. Exploration sonore \u2014 Matteo Pittoni","author":"Administrateur","date":"10 novembre 2025","format":false,"excerpt":"Matteo Pittoni explore le son comme un plasticien en qu\u00eate du point de transcendance dans sa mati\u00e8re. Pour r\u00e9pondre au Souffle, l\u2019artiste musicien compose, en cinq pistes, une immersion intense et hypnotique, nous invitant \u00e0 vivre, par le corps, le souffle. Matteo, pour ce travail aussi investi qu\u2019abouti, incorpore le\u2026","rel":"","context":"Dans &quot;Souffle&quot;","block_context":{"text":"Souffle","link":"https:\/\/www.esquisses.eu\/revue\/category\/souffle\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]}],"_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1903"}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=1903"}],"version-history":[{"count":18,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1903\/revisions"}],"predecessor-version":[{"id":2755,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/1903\/revisions\/2755"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=1903"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/categories?post=1903"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/tags?post=1903"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}