{"id":2843,"date":"2026-09-16T20:17:04","date_gmt":"2026-09-16T19:17:04","guid":{"rendered":"https:\/\/www.esquisses.eu\/revue\/?p=2843"},"modified":"2026-09-16T20:17:04","modified_gmt":"2026-09-16T19:17:04","slug":"appel-a-contributions-desoeuvrement","status":"publish","type":"post","link":"https:\/\/www.esquisses.eu\/revue\/appel-a-contributions-desoeuvrement\/","title":{"rendered":"Appel \u00e0 contributions \u2014 D\u00e9s\u0153uvrement"},"content":{"rendered":"\n

D\u00e9s\u0153uvrement<\/em><\/strong><\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Si le monde parfois nous d\u00e9s\u0153uvre, la r\u00e9flexion que la revue Esquisses propose est toute autre. <\/p>\n\n\n\n

Le d\u00e9s\u0153uvrement sera au c\u0153ur de l\u2019\u0153uvre. <\/p>\n\n\n\n

Face \u00e0 l\u2019impossible, \u0153uvre toujours \u00e0 venir dans le sillage de Maurice Blanchot.<\/p>\n\n\n\n

D\u00e9s\u0153uvrement, d\u00e9chirement. Le corps ne demeurera pas indemne. <\/p>\n\n\n\n

Car l\u2019artiste, l\u2019\u00e9crivain, travaill\u00e9 par l\u2019\u0153uvre, n\u2019est jamais d\u00e9s\u0153uvr\u00e9 au sens marxiste du terme. <\/p>\n\n\n\n

Bien qu\u2019il affronte les vides de la cr\u00e9ation.<\/p>\n\n\n\n

Dialogue, tension, r\u00e9sistance.<\/p>\n\n\n\n

Et peut-\u00eatre que l\u2019\u0153uvre se cr\u00e9e \u00e0 l\u2019encontre de son auteur. <\/p>\n\n\n\n

Et la destruction peut devenir geste cr\u00e9ateur.<\/p>\n\n\n\n

Il y a du d\u00e9s\u0153uvrement au sein de l\u2019\u0153uvre d\u00e8s lors que l\u2019on consid\u00e8re l\u2019\u0153uvre \u00e9chapp\u00e9e \u00e0 elle-m\u00eame. Au-del\u00e0 de toute unification. L\u2019\u0153uvre, au masculin cette fois, semble un mirage.<\/p>\n\n\n\n

Inach\u00e8vement. Cheminement et mouvement. <\/p>\n\n\n\n

D\u00e9s-\u0153uvrement, la main se saisit du \u00ab d\u00e9s \u00bb comme possible d\u00e9rapage, accident. <\/p>\n\n\n\n

Vrille qui engage dans un ailleurs. <\/p>\n\n\n\n

Commencements d\u2019un langage. <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Cette huiti\u00e8me th\u00e9matique est un nouvel espace pour r\u00e9fl\u00e9chir \u00e0 ce qui s\u2019esquisse mais aussi s\u2019esquive. La revue est transdisciplinaire et ouverte \u00e0 tout travail r\u00e9pondant aux exigences de notre ligne \u00e9ditoriale.<\/p>\n\n\n\n

Les auteurs et artistes d\u00e9sirant participer sont invit\u00e9s \u00e0 lire notre manifeste<\/a> avant de nous envoyer une premi\u00e8re proposition. <\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Modalit\u00e9s de soumission\u00a0:<\/mark><\/h4>\n\n\n\n

Pour les propositions de texte, d’article ou de cr\u00e9ation plastique, nous envoyer un abstract d’une page maximum expliquant vos id\u00e9es et r\u00e9f\u00e9rences accompagn\u00e9, le cas \u00e9ch\u00e9ant, d’images ou autres fichiers \u00e0 :<\/p>\n\n\n\n

revue@esquisses.eu<\/p>\n\n\n\n

avant le 15 novembre 2026<\/h3>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

Comit\u00e9 de lecture et de r\u00e9daction\u00a0:<\/mark><\/h4>\n\n\n\n

Bernard Salignon, Lucille Br\u00e9ard, Pauline Desiderio, Karin Espinosa, Ma\u00ebva Gardenat, Cindy Joy Marti, Marie Le Meur, Adrien Radaelli et Nathalie Schleif.<\/p>\n\n\n\n

<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

D\u00e9s\u0153uvrement Si le monde parfois nous d\u00e9s\u0153uvre, la r\u00e9flexion que la revue Esquisses propose est toute autre.  Le d\u00e9s\u0153uvrement sera au c\u0153ur de l\u2019\u0153uvre.  Face \u00e0 l\u2019impossible, \u0153uvre toujours \u00e0 venir dans le sillage de Maurice Blanchot. D\u00e9s\u0153uvrement, d\u00e9chirement. Le corps ne demeurera pas indemne.  Car l\u2019artiste, l\u2019\u00e9crivain, travaill\u00e9 par l\u2019\u0153uvre, n\u2019est jamais d\u00e9s\u0153uvr\u00e9 au […]<\/p>\n","protected":false},"author":6,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"everybody","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_hide_featured_image":false,"_jetpack_featured_image_duplicate_dismissed":0,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[305],"tags":[],"class_list":["post-2843","post","type-post","status-publish","format-standard","hentry","category-desoeuvrement"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8FFEZ-JR","jetpack-related-posts":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/2843","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/comments?post=2843"}],"version-history":[{"count":16,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/2843\/revisions"}],"predecessor-version":[{"id":2863,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/posts\/2843\/revisions\/2863"}],"wp:attachment":[{"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/media?parent=2843"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/categories?post=2843"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.esquisses.eu\/revue\/wp-json\/wp\/v2\/tags?post=2843"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}